(Contact me at: mxktguitars@gmail.com)
700,00€
plus shipping: 40€ to France, 50€ to the European Union. Anywhere else please ask for an estimation.
11 JULY 2024: TO THOSE WHO THIS MIGHT BE OF INTEREST, THE VK3 KNOBS
WERE NOT AVAILABLE, SO GOTOH SPEED KNOBS HAVE ARRIVED AND ARE ALREADY
INSTALLED. SEE LAST PIC PLEASE.
Another
awesome Ibanez RG made in Japan available! Not just a guitar, but
literally a piece of guitar history. According to the Date Your Ibanez
project, it's a 1990 model, serial number F050529.
First time I
sell an RG with the OSNJ vintage style neck heel. Although I'm a fan of
the AANJ myself, I have to admit it was pretty clever for that period.
In fact, I didn't noticed much difference while I was playing it, the
access to the highs is great!
Hold it right there, I need to
rewrite the text from this paragraph onwards! This guitar is now for
sale since 7 months, I'm writting this portion of the text the 1st July
2024, after having played this guitar several times, so now I know it
better. The previous owner installed a Seymour Duncan Parallel Axis and
2 special features: a kill-switch that goes back to ON when you stop
pressing it (lower switch), and a upper boost switch. Now I know for
sure that:
:: You have the usual 5-position switch known by
everybody who has already played an HSH Ibanez, when the second
mini-switch is up/right. The positions 2, 3 and 4 give you that
Strat/"Teleish" towards to single-coil tones. Split coils, bla, bla,
bla. (Very cool actually!)
:: Once you engange the mini-switch
down/left, the volume gets slightly up - like when you engage a booster
pedal - and the tone gets thicker. TO MY EARS, the position 1 and 2 is
the full neck humbucker mode, and 3, 4 and 5 is the full bridge
humbucker, but with a bit more punch than the full humbucker positions
when you have the boost switch off. If the coils split, I don't notice
it; either being on 3, 4 or 5 is the same sound, and being on 1 or 2
doesn't make no difference neither. It's like having a 2 position only
PU combination with the boost on. I repeat, to my ears.
This is
great because you have quite an amount of options when you're playing
live and not wanting to be behind your pedalboard all the time IMO.
Playing with the volume knob, tone, and these 3 switches, you can go
from bluesy/jazzy tones to high gain tones easily, once you played it
for a few hours and got used to this combination, of course.
Yesterday
I leveled the frets on my RG550, then on my RG3170, and I've done it
(again) on the RG570 too. The neck is now straight, no curve, and even
lower than before, for faster playing. Since a few months I began to
level frets differently, I don't take off the strings. I've noticed that
with a piece of aluminium profile in T shape I can do it beneath the
strings without loosing the string tension, which is in fact the normal
position of playing. No one plays a stringless guitar, and I had the
feeling that when the strings were back on it wasn't quite as I
expected. So I don't relieve the tension, I don't set them out of tune,
just level the frets without touching a thing, and it works great for
me. Well, some will say that I can't polish the frets at the end, etc.
You can do it when you'll change the strings anyway; and it's true they
need to be changed in this case.
As for cosmetics, you have 2
major dings, one next to the jack input and the other on the arm cut
(see the pics). The neck heel shows on both sides the cracks we all
know on RGs, NO it won't break, it's only the finish that cracked! My
RG550 is way more cracked than this 570, specially in the front. The
sides and horns are in pretty good condition, and some light scratches
from normal wear, really not that visible.
Last, but not least:
the black tremolo bar IS INCLUDED (although I forgot to take pics), the
strap pins were replaced by a new set of black Gotohs, and I've
decided to go for new black knobs for volume and tone close to the
originals, these ones suck. The case below is my own and I use it as
background.
Done! A great guitar ladies and gents ;)